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Coins found in the lower sandy strata of the S. Prisca Mithraeum, ranging from the time of Claudius to the late 4th century, including issues of Commodus, Crispina, Diocletianus, Galerius, Constans and Valens.
Ancient marble fragments walled into the staircase of the house at Via Boncompagni 101 (Boarding-house Cosmopolita), including a lower part of a Mithras bull-killing group and a fragment of a low-relief with the bullkilling; not traced by Vermaseren.
Mosaic-paved floor of the central aisle of the Mitreo delle Sette Porte at Ostia, with a krater flanked by serpent and eagle, standing Jupiter and Saturn, torchbearers at the podia, and planetary gods Mars, Luna, Venus, and Mercury.
Finds discovered near the crossing of the criptoporticus of the Mithraeum at Capua, including marble plate fragments, a tuff base, red lamps, and animal bones.
Great royal inscription of Antiochus I of Commagene carved on the thrones at Nemrud Dağı, invoking Apollo-Mithras-Helios among the guardian deities of the kingdom, 69–34 B.C.
Gold coin of the Scythian king Hooerkes, reverse showing Mithras (MOPO) standing with wreath and staff, north-west India, c. 87–129 A.D.
Gold lamina from Ciciliano showing a nude, serpent-entwined Aion-Kronos holding a key and surrounded by Greek voces magicae (2nd c. CE).
Inscription from Viminacium, Moesia Superior, recording that Caius Iulius Valerius, veteran of Legio VI Claudia, restored a Mithraic sanctuary destroyed by lightning at his own expense.
Marble relief fragment from Romula, Dacia, bought in Resca in 1933, preserving the feet and forepart of a horse — possibly from a scene of Mithras ascending Sol's chariot.
Two bluish marble fragments from the Mithraeum at Sarmizegetusa, Dacia, preserving the upper part of Cautes holding a torch in each hand, with traces of red on his neck, dress, and the torches.
White marble relief fragment from the Mithraeum at Sarmizegetusa, Dacia, probably belonging to the preceding piece, depicting a man walking to the right stretching his hand towards a rock.
Marble fragment from the Mithraeum at Sarmizegetusa, Dacia, preserving a standing figure in shoulder-cape (possibly Sol) and below it a burning altar.
Fragment of a white marble relief from the Mithraeum at Sarmizegetusa, Dacia, preserving in the upper portion several Mithraic scenes including a standing figure, a burning altar, and part of a reclining figure.
Marble fragment from the Mithraeum at Sarmizegetusa, Dacia, preserving a standing person in a tunic; head, arms, and legs are lost.
Fragments of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, possibly related to the preceding piece, preserving remnants of a bull.
Four fragments of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, with the central bull-slaying partially preserved including the Sol bust and a figure in Phrygian cap.
Limestone base from Apulum, Dacia, decorated on the front with Mithras riding the bull to the right while holding an upraised torch — the tauriphoros riding type, distinct from the tauroctony.
White marble tauroctony relief from Apulum, Dacia, depicting Mithras killing the bull in a grotto with dog and serpent; formerly in a private collection in Budapest.
Altar from Apulum, Dacia, dedicated to Iovi optimo maximo by Claudius Niger; included in the Mithraic corpus by proximity to other monuments from the same context.
Right upper portion of a limestone relief from Salona or its surroundings, Dalmatia, depicting a standing figure — probably a torchbearer or divine attendant.
