Small white marble altar made in honour of Mithras found at San Albín, Mérida.
This altar is dedicated to the birth of Mithras by a frumentarius of the Legio VII Geminae.
Recent interpretations link this marble inscription to the cult of the goddess Nemesis.
This is one of the two torchbearers, probably Cautes, transformed into Paris, now in the British Museum.
This Mithras killing the bull belonged to the sculptor V. Pancetti before being exhibited in the Vatican Museums under Pius VI.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.
The inscription reports the restoration of the coloured painting of the main relief of the Mithraeum by a veteran of the Legio VIII Augusta.
The Aion of Arles includes nine signs of the zodiac in three groups of three, between the spirals of the serpent.
The lion-headed figure, Aion, from Mérida, wears oriental knickers fastened at the waist by a cinch strap.
White marble relief depicting Mithras slaying the bull, dedicated by Atimetus.
The sculpture of Mithras carrying the bull includes an inscription on its base.
This altar from Ptuj, present-day Poetovio, is decorated with various Mithraic animals such as a tortoise, a cock and a crow and other objects.
This marble gives some details of the reconstruction of the Virunum Mithraeum.
The relief of the Mithraic tauroctony of Aquiliea is currently on display in Vienna.
The Isis of Merida is covered by a long dress that reaches down to her feet.
The sculpture of the solar god is signed by its author, Demetrios.
The Macerata Tauroctony shows Mithra slaying the bull with the usual Pyrigian cap and six rays around his head.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
This standing sculptural figure from Mérida appears to carry the serpent staff, characteristic of the medicine god Aesculapius.
