Your selection in monuments gave 151 results.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
Sandstone petrogenesis from Petronell-Carnuntum (Lower Austria), depicting Mithras emerging from the rock, preserved from the knees upwards.
This second altar discovered to date near Inveresk includes several elements unusual in Mithraic worship.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
At the entrance to the Mithraeum of the Seven Sferes, Cautopates holds the torch with both hands and Cautes holds the torch in his right hand and a cock in his left.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Felicissimo Mithraeum has a floor mosaic depicting the seven mithraic grades.
This marble relief, found in Sisak, Croatia, shows Mithras killing the bull in a circle of corn ears, gods and some scenes from the Mithras myth.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
