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Monumentum

Mitreo di Marino

The Marino Mithraeum preserves one of the most elaborate painted cycles of Mithras’ myth, combining the tauroctony, planetary symbolism and scenes from the god’s sacred narrative.
 
The New Mithraeum
20 May 2007
Updated on May 2026
Mr V. Zoffoli, enlarging his wine-cellars near the railway-station in 1963, discovered a grotto dedicated to the mighty and secret god. The plan of the Mithraeum is the usual one. Behind a wide entrance hall (L. 13.25 m, W. 8.00 m) we find the sanctuary itself, which is exceptionally long and much narrower (W. 3.10 m) than the ante-room. The longest Mithraeum of the Roman Imperium known hitherto was that at Sarmizegetusa [TNMM 57] is in Dacia (L. 26 m), the one at Marino however is 29.20 metres long, which is twice the normal length. The arrangement of benches on either side with a nave in between is quite normal…

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Related monuments

Fresco Tauroctony of Mitreo di Marino

The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.

Altar from the Mitreo di Marino

The monument is engraved with an inscription by Cresces, the donor.

 
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