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Monumentum

Mitreo di Lucrezio Menandro

The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
  • Main aisle of the Mitreo Menandro.

    Main aisle of the Mitreo Menandro.
    The New Mithraeum / Andreu Abuín (CC BY-SA)

  • Floor mosaic  of the Mitreo Menandro.

    Floor mosaic of the Mitreo Menandro.
    The New Mithraeum / Andreu Abuín (CC BY-SA)

  • The marble slab with inscription.

    The marble slab with inscription.
    Eric Taylor

  • The marble slab with inscription.

    The marble slab with inscription.
    Eric Taylor

 
The New Mithraeum
27 Apr 2010
Updated on May 2022

TNMM 6 ↔ CIMRM 224

A Mithraeum (L. 8.00 Br. 4.20), 'Mitreo di Lucrezio Menandro', was discovered recently, on the Via dei Molini (Reg. I, Is. III, 5).

The sanctuary has been constructed in two vaulted rooms of a large house and has the stereotyped division into central aisle (Br. 1.87) and two side-benches (H. 0.45 Br. 1.17), which slope down towards the walls. At a distance of about 4.00 from the main entrance there are deep niches (H. 0.20 Br. 0.25) in them covered with terracotta. At the same distance from the door the mosaic floor has a leaf-ornamentation, which continues as far as the altar before the back-wall. There are no traces of a Mithras representation. At the r. side of the altar there is a small corridor (Br. 0.60), because the r. podium did not extend as far as the altar.

The paintings on the side-walls (Wirth, Rom. Wandm., 133 and figs. 64--65; C. C. van Essen in MedNHIR VIII, 1954,39) date from the time of Marc AureI.


The Mithraeum of Lucretius Menander was installed in the early third century AD in an alley to the east of a Hadrianic building named after the mithraeum. It is in a part of the alley that had become part of an apartment. The rooms had then been decorated with a black-and-white geometric floor mosaic. On the walls were paintings similar to those in rooms to the west. On a grey-blue socle are horizontal yellow and red bands. Above that, on a white background, high rectangles are created by red bands with internal yellow and blue lines. In the centre of the rectangles are small paintings: birds in an landscape, birds and a basket, a little temple and trees. The plaster has been dated to the reign of Marcus Aurelius. When the mithraeum was installed, no new paintings were made.

The mithraeum was entered from the north, along a staircase which forced access from the side. Along the walls of the shrine are podia (h. 0.45), with niches in the centre of the vertical side. The western podium was reached along a few treads at the north end.

At the back of the shrine is a brick altar. The front was covered by a marble slab (0.84 x 0.47). It has a hole in the shape of the moon, behind which must have been a lamp. Below the moon is the inscription:

Deo Invicto Mithrae / Diocles ob honorem / C. Lucreti Menandri / Patris / D(ono) D(edit) D(edicavit).

This mithraeum is almost back-to-back with the mithraeum in the House of Diana. The nearness of two mithraea is exceptional: they are spread out evenly over the city, presumably because normally the worshippers came from the area surrounding a shrine.

Main inscription

Deo Invicto Mithrae / Diocles ob honorem / C. Lucreti Menandri / Patris / D[ono] D[edit] D[edicavit].
To the invincible god Mithras, Diocles, in honour of Caius Lucretius Menander, father, donated and dedicated this gift.

References

Becatti, Mitrei Ostia, 17ff and fig. 3; PI. II.

Related monuments

Altar of the Mitreo Menandro

The brick altar of the Mithraeum Menander was covered with marble slabs bearing a crescent and an inscription.

 
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