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Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
The Mithraeum of Santa Maria Capua Vetere preserves frescoes depicting several scenes of the initiation rites.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
This slab dedicated to the invincible god, Serapis and Isis by Claudius Zenobius was found in 1967 in the walls of the city of Astorga, Spain.
Representation of a person lying prostrate on the ground between two other walking figures on the Mitreo of Santa Capua Vetere.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
Horsley thought that, like some other inscriptions in the Naworth Collection, this altar also had come from Birdoswald.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
The article reveals the context in which the first public appearance of Mitra happened to answer two questions: who were the first people to give prominence to this deity, and for what purpose they did so.
Near the c r 0 s sin g of the criptoporticus: a) Fragments of a marble plate with ornaments in relief (H. 0.13) and fragments with inscr.
