Administrator, probably a slave of Pater Alfius Severus, who dedicated the main altar of the Mitreo di Marino.
Roman emperor at the age of 14, from 218 to his death in 222, Elagabalus was a main priest of the sun god Elagabal in Emesa.
Emperor Caracalla ordered one of Rome’s largest temples to the god Mithras to be built in the baths bearing his name.
Late Roman senator and governor of Numidia whose inscriptions present him as a Mithraic pater and initiate in several mystery cults.
Slave and vilicus in the household of Tiberius Claudius Livianus, linked to the earliest known Mithraic tauroctony.
Neapolitan senator who dedicated a tauroctonic relief to Mithras tauroctonus to the Almighty God Mithras.
Clarissimus knight and legate born in Poetovio that helped to disseminate the cult of Mithras in the African provinces.
A Mithraic initiate attested in Pannonia Superior during the late 2nd or early 3rd century CE.
Member of the Mithraic community of Les Bolards and dedicator of a statue of Cautes.
Tribune of the First Cohort of Vardulli, he erected a mithraeum at Bremenium together with his consacranei.
Garlic merchant, probably from Lusitania, who dedicated an altar to Cautes in Tarraconensis.
One of the most eminent representatives of late antique pagan religiosity, combining high civic authority with deep initiation into multiple mystery traditions, including the cult of Mithras.
Late Roman dux associated with the restoration of the so-called Mithraeum IV of Poetovio.
North African author, Platonic philosopher and rhetorician associated with the Mithraic milieu of Ostia.
An imperial slave and customs administrator of the Illyrian tax system, he financed and built a Mithraic temple in Moesia Superior.
Supervisor of the imperial couriers who offered an elaborate votive altar and ritual insignia to Mithras in Rome under Commodus.
One of the clearest examples of the late Roman aristocracy’s involvement in the mysteries of Mithras and other initiatory cults during the fourth century.
Hector erected an altar to Mithras in Emerita Augusta by means of a ‘divine vision’.
