Consult all cross-database references at The New Mithraeum.
Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The Mithraic sword found in the Riegel Mithraeum may have been used as a prop during rituals.
The St Albans mithraic vase depicts fragments of three figures identified by Vermaseren as Hercules, Mercury and Mithras as an archer.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
The relief of Sol was found during the construction of Piazza Dante in Rome in 1874.
In the tauroctony of Jabal al-Druze in Syria, the snake appears to be licking the head of the bull's penis.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
