Monuments: TNMdB

Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.

Fragment of a white statue depicting a naked god entwined by a serpent with its head on his chest, found in the River Tiber.

Partial marble statue of Mithras as a bullkiller found near Viale Latino, about 200 meters from Porta San Giovanni.

White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.

On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.

This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.

The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.

This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.

The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.

The relief of Palazzo Colonna, Rome, depicts a lion-headed figure holding a burning torch in his outstretched hands.

This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.

This white marble relief of Mithras killing the bull was found on the Esquilino near the Church of Saint Lucy in Selci in Rome.

In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.

This cylindrical marble altar was dedicated by the same Pater Proficentius as the slab, both monuments found in the Mithraeum beneath the Basilica of San Lorenzo.

This inscription found in the Mithraeum Aldobrandini informs us of certain restorations carried out in the temple during a second phase of development.

This marble monument was dedicated in Rome by the slave Fructus and his son Myro.

Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.

This small cippus to Zeus, Helios and Serapis includes Mithras as one of the main gods, although some authors argue that it could be the name of the donor.

The inscription is carved into two pieces of marble cornice.

In a house from the time of Constantine, a Lararium was found with a statue of Isis-Fortuna. The Mithraeum was a door next to it, on a lower room.