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Fragments of a green-glazed maiolica krater with silver sheen, probably decorated with a dodekatheon showing Minerva, Jupiter, Dionysus, and Hercules, from the Mitreo delle Sette Porte at Ostia.
Fragmentary marble tablet inscription mentioning Sol Invictus Mithras and a priest, from Tivoli (ancient Tibur), possibly of urban origin.
Two marble busts of youthful figures with Phrygian caps, probably representing the torchbearers Cautes and Cautopates, from the Villa Borghese collection, found at Formiae.
Fresco fragment from the initiation sequence of the Mithraeum of Capua, of which only the heads and parts of the white tunica of two figures remain visible.
Two scenes from the initiation sequence of the Mithraeum of Capua, now indistinguishable.
Fresco showing a mystagogus pressing down the shoulders of a kneeling myste, attended by a third figure in Phrygian cap, from the initiation sequence of the Mithraeum of Capua.
Fresco showing two persons standing behind each other, from the initiation sequence of the Mithraeum of Capua.
Badly damaged fresco fragment showing a person in red attire in a kneeling position, from the initiation sequence of the Mithraeum of Capua.
Head in Phrygian cap with a sorrowful expression, used as a protome in the Amphitheatre of Capua and interpreted as a head of Mithras.
White marble plate inscription dedicated to Soli Invicto pro salute, from Caesarea of Mauretania (modern Cherchel).
Inscription dedicated to Sol Invictus with a votive formula pro salute, from Mozaïaville.
Relief depicting Mithras killing the bull in scaled armour, with Luna and Sol busts in the upper corners, found at the cavalry barracks of Sétif in 1861.
Inscription dedicated to Deus Sol Invictus for the wellbeing of Emperor Probus and the municipality, from Chidibbia, dated 276-282 A.D.
Limestone statue of a standing lion with mouth half-open, legs and tail lost, from the Mithraeum near Memphis, Egypt.
Fragment of a white marble relief depicting the head of Mithras with Phrygian cap and nimbus, found on the Syrian coast between Lattakieh and Tartous, first half of 2nd century A.D.
Engraved Nâma inscription addressed to Antoninus, a pious syndexios, from the Mithraeum of Dura-Europos, Syria.
Painted inscription naming the patres and other initiates of the Mithraeum, above the podium in the south-west corner of the Mithraeum of Dura-Europos, Syria.
Fragment of a figure dressed like Mithras in the banquet scene, found in the rubble of the Mithraeum of Dura-Europos, Syria.
Painted zodiac signs covering earlier figures in Phrygian cap in the arched niche of the Later Mithraeum of Dura-Europos, Syria, 3rd century A.D.
Great royal inscription of Antiochus I of Commagene carved on the thrones at Nemrud Dağı, invoking Apollo-Mithras-Helios among the guardian deities of the kingdom, 69–34 B.C.