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Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
The Mithraeum of Serdica was found in the fortified area of the ancient city of Serdica, now Sofia, Bulgaria.
This monument has been identified from ’Memorie di varie antichità trovate in diversi luoghi della città di Roma’, a book by Flaminio Vacca of 1594.
Archaeologists at Doliche are now excavating houses around the vast Mithras temple to learn how people lived beside the sanctuary.
Join us for a special webinar with professor, writer and host of The New Mithraeum podcast @andreu.abuin, interviewing acclaimed esoteric scholar @peter.mark.adams on his ground breaking latest book, Ritual and Epiphany in the Mysteries of Mithras…
Restoring the Mysteries: A Conversation with Peter Mark Adams on his new book ‘Ritual & Epiphany in the Mysteries of Mithras’.
Dion Chrysostom, c. 100 A.D., a philosophical writer under the emperors Nerva and Trajan, composed a series of discourses or essays (λόγοι) on various subjects, in one of which he reports concerning the doctrines and practices of the magi.
The scholiast Lactantius Placidus comments on Statius’ passage identifying the Sun as Titan, Osiris, and Mithras, interpreting the Persian cave figure with the bull.
Two excerpts from the ’Life of Commodus’ in Lampridius’ Historia Augusta, dating from the 4th century CE.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
The marble Aion from the lost Mithraeum Fagan, Ostia, now presides the entrance to the Vatican Library.
This scene of a feast from Mérida shows three persons at a table with other people standing beside them, one holding a bull’s head on a plate.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
