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The v in this small altar found in Novaria has been interpreted by some commentators as qualifying Mithras as victorious.
This lost monument bears an inscription to Cautes by a certain Tiberius Claudius Artemidorus.
These three fragments of carved marble depict Jupiter, Sol, Luna and a naked man wearing a Phrygian cap, with inscriptions calling Mithras Sanctus Dominum.
Several fragmentary Mithraic remains dedicated by a certain Agatho in the Caelius suggest that a Mithraeum existed in the area.
This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.
On the occasion of the discovery of a Mithraeum in Cabra, Spain, we talk to Jaime Alvar, a leading figure in the field of Mithraism. With him, we examine the testimonies known to date and the peculiarities of the cult of Mithras in Hispania.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
Wall-painting in the house of the Nummi Albani's family on the Quirinalis, Via Firenze near the Ministerio della Guerra.
Capua is currently a city and comune in the province of Caserta, in the region of Campania, southern Italy, situated 25 km north of Naples, on the northeastern edge of the Campanian plain.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
Representation of a person lying prostrate on the ground between two other walking figures on the Mitreo of Santa Capua Vetere.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
