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Seven fragments of a white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, depicting the central bull-slaying with a rich programme of subsidiary Mithraic scenes.
Lower part of a white limestone tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the bull with a broad belt and the Cautopates area.
Two fragments of a circular white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, enclosed in a laurel wreath.
Fragmentary inscription from the Mithraeum at Sarmizegetusa, Dacia, preserving only De- and the name Iulius m-.
Left lower corner of a marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the crossed legs of Cautopates with the forepart of his torch and a fragmentary inscription in the lower rim.
Fragmentary inscription from the Mithraeum at Sarmizegetusa, Dacia, preserving only the name Priscus.
Four fragments of a bluish marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, depicting the central bull-slaying with partially preserved subsidiary scenes.
Bluish marble tauroctony relief in fragments from the Mithraeum at Sarmizegetusa, Dacia, divided into horizontal registers with the central bull-slaying and multiple subsidiary Mithraic scenes.
Inscription from the Mithraeum at Sarmizegetusa, Dacia, dedicated to Soli invicto Mithrae by S. Spedius Valerianus, Augustalis coloniae.
White marble tauroctony relief in eleven fragments from the Mithraeum at Sarmizegetusa, Dacia, divided into three horizontal registers, the central one depicting the bull-slaying and the others bearing subsidiary Mithraic scenes.
White marble altar or base from the Mithraeum at Sarmizegetusa, Dacia, dedicated to Soli invicto Mithrae by Carpion, imperial freedman and tabularius.
Marble column from the Mithraeum at Sarmizegetusa, Dacia, dedicated ex voto by Marcus Ulpius Victorinus and Maius, decuriones of the Colonia Sarmizegetusa Metropolis.
Marble column from the Mithraeum at Sarmizegetusa, Dacia, dedicated ex viso by Flavius Trofimus.
Group of unpublished marble reliefs found in 1906 at Cinçsor on the right bank of the river Alt, Dacia, probably associated with a Mithraic sanctuary.
Inscription copied at Vintu de Jos near Apulum, Dacia, in the 16th century, probably from Apulum, dedicated to Invicto Mithrae by Lucius Octavius Gratus.
Inscription from Apulum, Dacia, dedicated to Deo bono puero Phosphoro — the Good Boy who Brings Light — a Mithraic epithet attested in several inscriptions from Apulum.
Inscription from Apulum, Dacia, dedicated to Bono Puero by Aurelius Chrestus — one of several dedications to the Bonus Puer from Apulum with Mithraic associations.
Sandstone rock-birth statue from Apulum, Dacia, depicting the naked Mithras emerging from a rock encircled by a snake; head and arms are lost.
Inscription from Apulum, Dacia, dedicated to Soli invicto Mithrae by Turranius Marcellinus and Antonius Senecio Iunior, conductores armamentarii — managers of the imperial arms depots.
Lost limestone altar from Apulum, Dacia, decorated on the sides with a rose and serpent, on the reverse with a bull's head; the front bears a Mithraic inscription.