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The archeologists have found three fragments of the Tauroctony of Lucciana, which includes Cautes and Cautopates.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
The Mithraeum of Szony has the form of a grotto and the entrance is on the west side.
The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.
The underground cave which served as temple was cut into the conglomerate rock of the area, and a flight of eight steps of stone slabs led to it.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
The head of Serapis found at Walbrook, London, is decorated with stylised olive branches.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
At about a mile's distance from the village of Mit-Rahine near Memphis a Mithraeum has been discovered, which itself has not yet been described.
García y Bellido proposed the existence of a mithraeum in a narrow, elongated room where the Troia mithraic relief was found.
On the occasion of the exhibition, the Royal Museum of Mariemont invites five experts from Europe to emulate the research on the cult of Mithras.
Three European museums celebrate Mithras with a continental exhibition featuring more than 200 works of art from Roman times to the present day.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
