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White marble relief fragment from the Mithraeum at Sarmizegetusa, Dacia, probably belonging to the preceding piece, depicting a man walking to the right stretching his hand towards a rock.
Fragment of a white marble relief from the Mithraeum at Sarmizegetusa, Dacia, preserving in the upper portion several Mithraic scenes including a standing figure, a burning altar, and part of a reclining figure.
Three white limestone fragments from the Mithraeum at Sarmizegetusa, Dacia, preserving the hind leg of a lion in a vertical position and a serpent apparently moving towards a rock — possibly a rock-birth scene.
Fragment of a white limestone relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the bust of Sol and a figure in Phrygian cap raising a right hand.
Fragment of a white limestone relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the dressed bust of Sol and beside him a sitting Mithras visible to the knees, with an arch above.
Fragment of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the left upper corner with the bust of Sol and beside it the upper part of a person in Phrygian cap — probably Mithras as an archer.
Marble fragment from the Mithraeum at Sarmizegetusa, Dacia, preserving the hindmost part of the dog.
Fragment of a marble relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the bust of a person in a tunic with a right arm and hand holding a torch pointed downward.
Fragment of a large marble relief from the Mithraeum at Sarmizegetusa, Dacia, preserving a standing cross-legged torchbearer; head, arms, and legs below the knees are lost.
Upper portion of a vaulted marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, with the bull-slaying and above Cautes a scene of Mithras's rock-birth; Sol and Luna busts appear in the upper corners.
Foremost part of a white marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, showing the badly weathered bull-slaying with cross-legged Cautes raising the torch with both hands.
Fragment of a white marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the hindmost part of the bull to the left and the fragment of a small altar behind it.
Yellowish marble tauroctony in two fragments from the Mithraeum at Sarmizegetusa, Dacia, executed in a primitive style with the bull represented obliquely.
Two sandstone tauroctony relief fragments from the Mithraeum at Sarmizegetusa, Dacia, preserving the lower right portion of the bull-slaying scene.
Four fragments of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, with the central bull-slaying partially preserved including the Sol bust and a figure in Phrygian cap.
Trapezium-shaped white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, with the standard bull-slaying scene in two fragments.
Fragment of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the left lower corner with the bull's hindmost part, the scorpion, and part of the Cautopates area.
Lower part of a white limestone tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, preserving the bull with a broad belt and the Cautopates area.
Inscription from the Mithraeum at Sarmizegetusa, Dacia, dedicated to Soli invicto Mithrae by S. Spedius Valerianus, Augustalis coloniae.
Altar from Aquincum, Pannonia Inferior, dedicated to Mythrae Nabarze by Tiberius Pontius Maximus — the epithet Nabarze, possibly of Iranian origin meaning 'victorious', is attested on only a handful of Mithraic inscriptions.