Large base found behind the Palazzo Senense inscribed with a brief dedication to Sol Mithras, CIL VI 713.
Marble statue of the naked Mithras emerging from the rock, holding a dagger in his right hand and a torch in his left, visible to the knees, from the Mithraeum of S. Lorenzo in Damaso; the head is lost.
Marble statue of Cautopates in Eastern attire, cross-legged, leaning against a trunk and rocky stone with a cock beside his left foot, from the Mithraeum of S. Lorenzo in Damaso; the greater part of his arms and torch are lost.
Fragments of a marble relief preserving only the lower part, with Mithras slaying the bull, dog and serpent licking blood, a large scorpion, and Cautopates behind the bull pointing his torch downwards, from the Mithraeum of S. Lorenzo in Damaso.
Fragment of a marble tabella with an inscription beginning "invicto", from the Mithraeum of S. Lorenzo in Damaso, Rome.
Fragment of a marble tabula ansata with a palm-branch in the ansa and a partially legible inscription mentioning Sol, from the Mithraeum of S. Lorenzo in Damaso, probably dated to 253 A.D.
Marble tablet recording the dedication of a shrine to the Invictus God by L. Aurelius Severus, under the presidency of pater Domitius Marcellinus, dated to 181 A.D.
White marble statue of a standing cross-legged torchbearer in Eastern attire with traces of red painting, found in the Castra Pretoria in 1882; head, arms, and feet are lost and the monument could not subsequently be traced.
Ancient marble fragments walled into the staircase of the house at Via Boncompagni 101 (Boarding-house Cosmopolita), including a lower part of a Mithras bull-killing group and a fragment of a low-relief with the bullkilling; not traced by Vermaseren.
Graffito on the left wall of the Palazzo Barberini Mithraeum consisting of the single name Macarius.
Wall-painting on the last column but one of the Palazzo Barberini Mithraeum, showing a standing person in a short tunic with a wreath of ivy, carrying fruits in his left hand.
Wall-painting on the last column of the left bench in the Palazzo Barberini Mithraeum, showing a standing person pressing his left hand to his breast and extending his right hand towards a kneeling person whose head is covered with ivy.
Square marble slab walled in the right projecting elevation before the cult-niche of the Palazzo Barberini Mithraeum, with a dedication by Yperanthes (a Persian name) to the Invictus, inscribed in a red frame with traces of red and blue colour.
Black and white mosaic floor of the underground room used as a Mithraeum in the house of the Nummi Albani on the Quirinal; the mosaic ends about 1 metre from the side-walls, suggesting side-benches; Nummius Albinus was consul in 345 A.D.
Relief in plaster, fixed on the wall beside the Mithraic wall-painting (No. 386) in the house of the Nummi Albani on the Quirinal, with traces pointing to a representation of Mithras slaying the bull.
Possible Mithraeum discovered in 1869 near the previous sanctuary in Muti's gardens, described by Lanciani as a spelaeum cut in tufa with vestibule and cell with niches and altar, at the corner of the Via Nazionale and Via Venezia.
Mithraeum discovered towards the end of the 16th century in a vineyard of Horazio Muti opposite S. Vitale, between the Quirinal and Viminal hills, known from Vacca's report of a sealed room with many terracotta lamp-holders.
Marble altar found in the pontifical gardens on the Quirinal Hill, with a dedication to the Invictus N(abarze?) by Atticus pater, decorated with a urceus on the left and a patera on the right.
Marble altar found near S. Lorenzo in Piscibus in 1949, dedicated to the Great Mother, Attis, and the Invincible Mithras by Sextus Rusticus, vir clarissimus, pater patrum, proconsul of Africa between 371 and 373 A.D.
Fragment of a large marble tablet with large letters of poor 5th-century workmanship, found on the Monte Quirinale near the Via Nazionale, bearing poetic Mithraic references to the mystes of Ceres and the Invincible Mithras.
