This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
A critical edition of the Mithras Liturgy (PGM IV.475–834), providing the Greek text, English translation, commentary, and an updated discussion of its interpretation since Albrecht Dieterich’s 1903 edition.
Peter Mark Adams’ The Game of Saturn: Decoding the Sola-Busca Tarocchi is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot.
A conversation between Peter Mark Adams and Christophe Poncet on the esoteric tarot, in relation to the elite and Saturnian Sola-Busca tarocchi and the popular and luminous Tarot de Marseille.
The links between Egypt and Greece are strong and far-reaching, and although the zoomorphic gods frightened Herodotus, the fact remains that the two cultures continued to influence each other.
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…
Proceedings of the International Seminar on the 'Religio-Historical Character of Roman Mithraism, with Particular Reference to Roman and Ostian Sources'. Rome and Ostia 28-31 March 1978
The author of this ingenious memoir believes that the Greek myth of Orion is the very basis of Roman Mithriacism. His starting point is an astronomical interpretation of tauroctony.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Ce 4e fascicule de Mithriaca concerne un très curieux monument exhumé au XVIe siècle sur le site d'un Mithraeum qu'on localise tout près de l'église S. Maria in Domnica, non loin de S. Stefano Rotondo où un autre spelaeum fut mis au jour en 1973…
David Ulansey argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery.