Your search Angers gave 19 results.
Juliomagus, modern Angers, preserves evidence of Mithraic activity within the urban and administrative landscape of Roman northwestern Gaul.
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
This marble plaque from Iuliomagus, Roman Angers, bears a rare dedication to Mithras by Pylades, a slave of an imperial slave connected to the Roman administration in Gaul.
The head of Mithras of Angers has been found a four months after the main relief.
The spherical ceramic cup found at the Mithraeum in Angers bears an inscription to the unconquered god Mithras.
The starting point of this study of the initiation into the cult of Mithras are the 462 sites where traces of the cult have been found to date. They form the framework of the study.
This inscription by a certain Aphrodisius was found under the old city hall of Algiers.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.
Ce livre présente les religions de la Méditerranée ancienne – grecque, romaine, phénicienne et punique, hébraïque et juive, mésopotamienne, égyptienne – en mouvement. Au fur et à mesure de ces histoires de dieux en voyage…
Lissa-Caronna details the excavation and findings of a mithraeum beneath San Stefano Rotondo, focusing on its decor, sculptures, and rituals.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Mithraeum of the House of Diana was installed in two Antonine halls, northeast corner of the House of Diana, in the late 2nd or early 3rd century.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
This terracotta vase features prolific decoration, including Mithras Tauroctonos, Fortuna, Cautes, a dog and Pan playing a syrinx.
