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Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
Limestone low-relief depicting Cautopates standing cross-legged in eastern dress, accompanied by a bull, flowing water from an overturned jar and a crescent from Bolognia.
Marble statue of a standing woman in a himation, pierced between the feet for a water pipe. Fragmentary and possibly representing a water nymph. From the Mithraeum delle Sette Porte, Ostia.
The sculpture of the birth of Mithras in Florence included the head of Oceanus.
The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Sandstone relief depicting the god Aion, standing with wings, a staff and a key, accompanied by a lion and a serpent-entwined vessel.
Sandstone statue of Cautopates holding two downward-pointing torches, from the Ober-Florstadt Mithraeum.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
In Letter 107 to Laeta, Jerome combines a pastoral reflection on conversion with an account of the urban prefect Gracchus, who ordered the destruction of a Mithraic cave in Rome, listing the seven grades of initiation associated with the cult.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
