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The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Radcliffe G. Edmonds III analyses the absence of the moon in the Mithras Liturgy. He argues that this absence reflects a deliberate cosmological framework in which lunar powers linked to genesis are excluded from the ritual of ascent.
This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
A critical edition of the Mithras Liturgy (PGM IV.475–834), providing the Greek text, English translation, commentary, and an updated discussion of its interpretation since Albrecht Dieterich’s 1903 edition.
A erotic military fantasy set against the dramatic background of Rome’s conquest of the British Isles.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
Kerivel explore voie mystique des Alévis que, selon lui, trouve son origine dans la très ancienne religiosité des peuples iraniens et sur les structures et les rituels du culte de Mithra.
Le présent volume les réunit en les assortissant de deux contributions inédites sur l’échelle mithriaque et sur le dieu au serpent des stèles danubiennes.
Este es un libro que pretende esbozar un panorama general de los documentos mitraicos repartidos a lo largo del Imperio romano.
Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
The links between Egypt and Greece are strong and far-reaching, and although the zoomorphic gods frightened Herodotus, the fact remains that the two cultures continued to influence each other.
Mithras explores the history and practices of the ancient mystery religion Mithraism, looking at both literary and material evidence for the god Mithras and the reception and allure of his mysteries in the present.
Dans un VIIIᵉ siècle uchronique où Mithra est devenu le dieu officiel de Rome, Rachel Tanner imagine un empire impitoyable, déchiré entre révoltes barbares, intrigues politiques et résistances occultes, porté par une fresque de fantasy historique d’une intensité rare…