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The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
This small magical jasper gem shows Sol in a quadrigra on the recto and Mithras as a bull slayer on the verso.
This sandstone altar was dedicated to Luna, who is mentioned as a male deity.
This medallion belongs to a specific category of rounded pieces found in other provinces of the Roman world.
This is a reconstruction of the 2nd level initiation, the Nymphus or male bride.
Presentation of the so-called Mithraeum of Burham by Mark Samuel at the Ordinary Meeting of Fellows of the Society of Antiquaries of London.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
The statue of Mercury in Merida bears a dedication from the Roman Pater of a community in the city in 155.
Presentation on the Dionysian-themed frescoes of the Villa of the Mysteries by Peter Mark Adams on the occasion of the presentation of his book.
Inscription carved on the pairs of columns on the backs of the five thrones, which stand on the west and east part of the terrace.
The Mithras's head of Walbrook probable belonged to a life-size scene of the god scarifying the bull.
Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
