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Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
Emperor Caracalla ordered one of Rome’s largest temples to the god Mithras to be built in the baths bearing his name.
Dedicated multiple monuments to Mithras, Fortuna Primigenia and Diana in Etruria.
Garlic merchant, probably from Lusitania, who dedicated an altar to Cautes in Tarraconensis.
Born in North Africa, he dedicated an inscription to the unconquered god Mithras, found in the Forum of Lambasis.
Francesco Massa examines how the concept of mysteria was transformed in the Roman Empire, as Christian authors from the mid-second century CE adopted the language of mysteries to articulate their own rituals and beliefs, reshaping understandings of both Christian and traditional cults…
In their groundbreaking new book, Mushrooms, Myths & Mithras, classics scholar Carl Ruck and friends reveal compelling evidence suggesting that psychedelic mushroom use was equally influential in early Europe, where it was central to initiation cerem
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
This magnificently illustrated publication renews the Mithraic dossier on the basis of concrete data, with caution and penetration. Marino's discovery is disconcerting and rekindles the controversy about the order in which bands should be read.
Robert Turcan highlights various examples of the philosophical interpretation, mainly Platonic, of the figure and cult of Mithras.
The Mithraic nature of the frescoes of Oea, according to the scholars Cumont and Vermaseren, is now questioned.
Of Isis and Osiris or Of the Ancient Religion and Philosophy of Egypt, Plutarch, The Moralia.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.