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The Mithraeum was found in one of the rooms of the Horrea built in the years 120 - 125 AD. The installation of the shrine may have taken place in the first half of the third century.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
The lion-headed god is standing on a globe encicled by two crossed bands on which five pearls.
Journée scientifique du 17 décembre 2021 au Musée royal de Mariemont, dans le cadre de l’exposition 'Le Mystère Mithra. Plongée au cœur d’un culte romain'.
This marble basin found in the Mithraeum of the Footprint bears an inscription of a certain Umbilius Criton, associated with a monumental tauroctonic sculpture also found in Ostia.
The Cautopates with scorpion found in 1882 in Sarmizegetusa includes an inscription of a certain slave known as Synethus.
The Roman villa of Can Molodell had a sanctuary that has been related to the cult of Mithras.
This monument to the invincible god Mithras was inscribed on the façade of the church of Aiello deil Friuli, Aquileia.
The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
On this slab, Gaius Iulius Propinquos indicates that he made a wall of the Mithraeum at his own expense.
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The monument is engraved with an inscription by Cresces, the donor.
The sculpture of the solar god is signed by its author, Demetrios.
The Mithraic stele from Nida depicts the Mithras Petrogenesis and the gods Cautes, Cautopates, Heaven and Ocean.
Seminario de Investigación Cultos orientales e Iconografía Máster en Arqueología del Mediterráneo en la Antigüedad Clásica.
The Mitreo Fagan revealed remarkable sculptures of leon-headed figures now exposed at the Vatican Museum.
The Macerata Tauroctony shows Mithra slaying the bull with the usual Pyrigian cap and six rays around his head.
The altar of the Sun god belongs to the typology of the openwork altar to be illuminated from behind.
After Christianity was adopted, most pagan monuments were destroyed or abandoned. Garni, however, was preserved at the request of the sister of King Tiridates II and used as a summer residence for Armenian royalty.
