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Small marble base apparently found in the same Aventine sanctuary during former excavations, with a dedication to Jupiter Optimus Maximus Dolicheno and Sol digno praestantissimo.
Small lamp from the Palazzo dei Musei Mithraeum, Rome, bearing a representation of a ram.
Fragments of a small lamp from the Palazzo dei Musei Mithraeum, preserving the lower part of the bust of Luna set within a crescent.
Small lamp decorated with a flying Victoria holding a crown in her right hand and a palm-branch in her left, from the Mithraeum at the Palazzo dei Musei, Rome.
Marble statue of Cautopates in Eastern attire, cross-legged, leaning against a trunk and rocky stone with a cock beside his left foot, from the Mithraeum of S. Lorenzo in Damaso; the greater part of his arms and torch are lost.
Fragments of a marble relief preserving only the lower part, with Mithras slaying the bull, dog and serpent licking blood, a large scorpion, and Cautopates behind the bull pointing his torch downwards, from the Mithraeum of S. Lorenzo in Damaso.
Square marble slab walled in the right projecting elevation before the cult-niche of the Palazzo Barberini Mithraeum, with a dedication by Yperanthes (a Persian name) to the Invictus, inscribed in a red frame with traces of red and blue colour.
Base in the form of an altar with five small bacchic herms and eleven lamps, from the Mitreo Sabazeo at Ostia.
Lamp with six wicks, found near the altar before the cult-niche in the Mitreo delle Sette Porte at Ostia.
A small two-wick lamp and a larger twelve-wick lamp inscribed Serapiodori inny, from the Mitreo del Palazzo Imperiale at Ostia.
Badly damaged limestone statuette of a standing figure in Eastern attire, head, arms and feet lost, from the Mithraeum near Memphis, Egypt.
Engraved inscription naming Maximus as magus, from column 1 of the Mithraeum of Dura-Europos, Syria.
Gold lamina from Ciciliano showing a nude, serpent-entwined Aion-Kronos holding a key and surrounded by Greek voces magicae (2nd c. CE).
White marble tauroctony relief in several fragments from the Mithraeum at Biljanovac, Moesia Superior, depicting the standard bull-slaying with the full iconographic programme.
Stone lamp installation, vessels and bronze chain links associated with ritual activity inside the Mithraeum of Vindobala.
Monumental inscription honouring the senator and Mithraic pater Kamenius together with his numerous priestly offices and initiatory roles.
White marble tauroctony relief from Sofia, ancient Serdica in Thracia, found near the Church of St. Kral, depicting the standard bull-slaying with the full iconographic programme.
Marble tauroctony relief from Sarmizegetusa, Dacia, found at Zám and subsequently in various private collections; depicting the standard bull-slaying.
Three fragments of a large yellowish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, depicting the damaged bull-slaying scene; at approximately 0.94 × 1.31 m one of the larger reliefs from the sanctuary.
Fragment of a yellowish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the left lower corner with the bull's hind hoof, the crossed legs of Cautopates, and the flame of his downward torch.