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Capua is currently a city and comune in the province of Caserta, in the region of Campania, southern Italy, situated 25 km north of Naples, on the northeastern edge of the Campanian plain.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
One of Roman Italy’s most important Mithraic sanctuaries, the Mithraeum at S. Maria Capua Vetere preserves a remarkable painted cycle of initiation scenes, offering rare visual evidence for the ritual life of Roman Mithaism.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
The Mithraeum of Santa Maria Capua Vetere includes a marble relief depicting a child Eros guiding Psyche through the dark.
Representation of a person lying prostrate on the ground between two other walking figures on the Mitreo of Santa Capua Vetere.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
This article revisits the Mithraeum of S. Maria Capua Vetere, one of the most complete and artistically refined Mithraic sanctuaries in the Campanian region, situating it within its archaeological, iconographic, and ritual-historical contexts.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
Finds discovered near the crossing of the criptoporticus of the Mithraeum at Capua, including marble plate fragments, a tuff base, red lamps, and animal bones.
Miscellaneous finds from the middle of the Mithraeum of Capua, including a terracotta antefix with centaurs, basins, marble bases, lamps with a Sol head, and coins of M. Aurelius and Constantine.
Fresco fragment from the initiation sequence of the Mithraeum of Capua, of which only the heads and parts of the white tunica of two figures remain visible.
Two scenes from the initiation sequence of the Mithraeum of Capua, now indistinguishable.