Your search Val di Non gave 3037 results.
This inscription reveals the names of 36 cultori of Sentinum, one of whom bears the title of pater leonum.
The inscription explains the transmission of the fourth Mithraic degree through the Paters of the Mitraeum of San Silvestro.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
Antonius Valentinus, centurio, made this plaque for the salut des empereurs Septimus Severus and Marcus Aurelius.
Reworked limestone altar dedicated by the governor of Numidia during the period of the Diocletianic persecutions.
Marble altar dedicated to Sol Invictus Mithras, found in Rome (in aedibus Maffaeiorum), set up in 183 A.D. by M. Ulpius Maximus, praepositus tabellariorum, together with its ornaments and Mithraic insignia, in fulfilment of a vow.
This inscription shows that Publilius Ceionius, most distinguished man, dedicated a temple to Mithras at Mila, in the modern Constantina, Algeria.
Corax Materninius Faustinus dedicated other monuments found in the same Mithraeum in Gimmeldingen.
This inscription on white marble by Lucius Gavidius uses the term ther cultores to refer to his Mithraic community in Stabiae, Italy.
Slab found at Tazoult-Lambèse dedicated to the Unconquered god Sol Mithras by the governor of Numidia Marcus Aurelius Decimus.
In 1852, Károly Pap, a naval captain, unearthed several Mithraic monuments in his garden at Marospartos, including this altar.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This altar was originally consecrated to Hercules and was rededicated to Mithras by Callinicus in the Mithraeum of the House of Diana.
The Rites of Hekate is a personal yet deeply rooted academic account of the current understanding of this ambivalent goddess, presented as an arcane and liminal archetype.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
