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In this fresco from Dura Europos, Mithras is represented as a hunter accompanied by the lion and the serpent.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
Syndexios in Ostia, his name Marsus suggests that he was a snake-charmer.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
These bronze medallions associates the image of several Roman emperors with that of Mithras, usually as a rider, in the province Pontus.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
Yolanda’s multimedia dissertation focuses on the cognitive mechanisms that motivate Mithras worshippers. Her work includes a podcast entitled Conversations about Mithras.
Some Iranian archaeologists suggest that the carving was created by a follower of Mithraism as it depicts a simple portrayal of a human with his right hand raised and an object in his hand. But, experts say it needs much more study in order to date the pe
How a rock relief in western Iran, carved during the time of the Sasanian Persian Empire (AD 224-651), has been re-imagined over the centuries.
1) A broad stone vase (H. 0.45 diam. 0.15) with a high foot and two ears near the mouth.
