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The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.
The relief of Mithras slaying the bull of Sisak includes the zodiac and multiple scenes from the myth of Mithras.
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
Engraving with cosmological and symbolic mithraic elements.
Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
In the tauroctony of Jabal al-Druze in Syria, the snake appears to be licking the head of the bull's penis.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
The Tauroctony relief of Mithras killing the bull walled in the Cortile of the Belvedered, Vatican City, was found by Fagan near Ostia.
