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Marble tauroctony fragment from Sarmizegetusa, Dacia, preserving the right lower corner with the forepart of the bull with a broad belt and the leg of a figure.
Bluish marble tauroctony fragment from the Mithraeum at Sarmizegetusa, Dacia, formerly in the collection of Count Géza Kuun at Mintia, preserving Mithras killing the bull.
Marble fragment from the Mithraeum at Sarmizegetusa, Dacia, preserving a standing figure in shoulder-cape (possibly Sol) and below it a burning altar.
Rectangular white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, depicting Mithras killing the bull with dog, serpent, and scorpion.
Fragmentary inscription from the Mithraeum at Sarmizegetusa, Dacia, recording that Longus salariarius set up a monument ex voto.
Inscription from the Mithraeum at Sarmizegetusa, Dacia, dedicated ex voto by Cassius Maximus, augur of the Colonia Sarmizegetusa, and Marcus Ulpius Gaius.
Two sandstone tauroctony relief fragments from the Mithraeum at Sarmizegetusa, Dacia, preserving the lower right portion of the bull-slaying scene.
Trapezium-shaped white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, with the standard bull-slaying scene in two fragments.
Seven fragments of a white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, depicting the central bull-slaying with a rich programme of subsidiary Mithraic scenes.
Two fragments of a circular white marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, enclosed in a laurel wreath.
Seven fragments of a marble tauroctony relief from the Mithraeum at Sarmizegetusa, Dacia, preserving Mithras's breast, parts of the bull, and subsidiary scenes.
Bluish marble tauroctony relief in fragments from the Mithraeum at Sarmizegetusa, Dacia, divided into horizontal registers with the central bull-slaying and multiple subsidiary Mithraic scenes.
Marble column from the Mithraeum at Sarmizegetusa, Dacia, dedicated ex voto by Marcus Ulpius Victorinus and Maius, decuriones of the Colonia Sarmizegetusa Metropolis.
Altar from Salona, Dalmatia, found in 1884, dedicated by Sextus Cornelius Antiochus to Soli deo, who donated both a star and a fructifera — interpreted as Sol and Luna — following a vision.
Altar from Salona, Dalmatia, with a bust of Sol in radiate crown in the lower portion, dedicated to Deo invicto for the welfare and safety of Pamphilus, imperial dispensator, by his arkarius Fortunatus.
Inscription from a house staircase at Salona, Dalmatia, dedicated to Deo Mithrae invicto and all the other immortal gods by a dedicant whose name ends in -elius.
Right upper corner of a white marble bordered tauroctony relief from Salona or its surroundings, Dalmatia, with framing elements and part of the bull-slaying iconography.
Limestone relief fragment from Salona or its surroundings, Dalmatia, preserving a very fine bull's head and the left hand of Mithras.
Right upper portion of a limestone relief from Salona or its surroundings, Dalmatia, depicting a standing figure — probably a torchbearer or divine attendant.
Left upper corner of a white marble relief from Salona, Dalmatia, found in 1895, preserving the bust of Sol in radiate crown.
