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This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
In this terracotta relief depicting Mithras as a bull killer found at Cales, now in Calvi Risorta, none of the usual accompanying animals is present.
Second terracotta tablet found at Calvi depicting Mithras killing the bull, now at Berlin, Antiquarium.
This slab dedicated to the invincible god, Serapis and Isis by Claudius Zenobius was found in 1967 in the walls of the city of Astorga, Spain.
Minto has claimed that the time god Aion was painted on the corner of the north wall of the Mitreo de Santa Capua Vetere.
Horsley thought that, like some other inscriptions in the Naworth Collection, this altar also had come from Birdoswald.
The article reveals the context in which the first public appearance of Mitra happened to answer two questions: who were the first people to give prominence to this deity, and for what purpose they did so.
