Your search Bad Ischl im Salzkammergut gave 1713 results.
A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
Engraving with cosmological and symbolic mithraic elements.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
García y Bellido proposed the existence of a mithraeum in a narrow, elongated room where the Troia mithraic relief was found.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Presentation on the Dionysian-themed frescoes of the Villa of the Mysteries by Peter Mark Adams on the occasion of the presentation of his book.
Film in German describing the Mithras relief from Dieburg as part of the design and staging of the Mithraeum in Museum Schloss Fechenbach, Dieburg.
The Mithraeum of Carminiello ai Mannesi was installed in two rooms of a 1st century BC domus.
The Tauroctony relief of Mithras killing the bull walled in the Cortile of the Belvedered, Vatican City, was found by Fagan near Ostia.
Interview to one of the workers who participated in the discovery of the temple of Mithras of Marino, Rome.
Video reportage about the city and the Mithraeum of Jajce.
Jason Reza Jorjani, PhD, is a philosopher and author of Prometheus and Atlas, World State of Emergency, Lovers of Sophia, Novel Folklore: The Blind Owl of Sadegh Hedayat, and Iranian Leviathan: A Monumental History of Mithra's Abode.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
In the mithraic relief of Entrains, the god Sol is depicted riding his chariot together with Luna and a krater surrounded by a serpent.
Those initiated into the Mithraic cult were called upon to climb up to seven symbolic rungs of the ladder ultimately leading to the rank of Pater.
