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A certain Secundinus, steward of the emperor, dedicated this altar to Mithras in Noricum, today Austria.
This stone altar fround in Altbachtal bears an inscription by a certain Martius Martialis.
This sculpture, probably of Cautopates, now in the Musei Vaticani, was transformed into Paris.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.
This Cautopates from Nida carries the usual downward torch in his right hand and a hooked stick in his left.
This inscription on white marble by Lucius Gavidius uses the term ther cultores to refer to his Mithraic community in Stabiae, Italy.
This remarkable relief by Cautes was found in what appears to be a mithraeum in Trier.
Some authors have speculated that the flying figure dressed in oriental style and holding a globe could be Mithras.
This altar found in Sentinum bears an inscription from two brothers.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
This terracotta vase features prolific decoration, including Mithras Tauroctonos, Fortuna, Cautes, a dog and Pan playing a syrinx.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
The cantharus of Trier is reminiscent of the crater that often appears in tauroctony scenes collecting the blood from the slaughtered animal.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
The St Albans mithraic vase depicts fragments of three figures identified by Vermaseren as Hercules, Mercury and Mithras as an archer.
The article reveals the context in which the first public appearance of Mitra happened to answer two questions: who were the first people to give prominence to this deity, and for what purpose they did so.
