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The head was part of a stucco relief of the Tauroctony found under the church of Santo Stefano Rotondo in Rome
The exhibition The Mystery of Mithras opens at the Mariemont Museum in Belgium, home of Franz Cumont, the father of studies on the solar god.
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
This small altar found in Rome depicts the god Sol with five rays around his head.
Engraving with cosmological and symbolic mithraic elements.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The Mithraic sword found in the Riegel Mithraeum may have been used as a prop during rituals.
The St Albans mithraic vase depicts fragments of three figures identified by Vermaseren as Hercules, Mercury and Mithras as an archer.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
The second tauroctony of Jabal al-Druze seems to have be made by the same sculptor.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
The Mithraeum of Carminiello ai Mannesi was installed in two rooms of a 1st century BC domus.
