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The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
This altar mentioning the god Arimanius was found in 1655 at Porta San Giovanni, on the Esquilino.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
Small limestone stele, discovered at Apt in 1903. It depicts a standing torchbearer in the conventional Mithraic posture and dress, accompanied by a cock placed at his feet.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
Late antique legendary biography of Alexander the Great (c. AD 300), where history, myth, and imperial ideology merge around figures of divine kingship and solar power.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
De oorspronkelijke Nederlandse uitgave van 1959 introduceerde het werk van Vermaseren, dat als klassiek geldt in de populaire studie van het mithraïsme en dat de belangstelling voor deze cultus blijvend heeft gevormd.
Jean Suttman’s study trip in Rome turns nightmarish when she discovers a murdered student in the Temple of Mithra and realizes someone is out to harm her.
Robert Turcan présente les dévotions immigrées dans le monde romain, sans négliger les cultes marginaux ou sporadiques, traitant également des courants gnostiques, occultistes et théosophiques.
Le présent volume les réunit en les assortissant de deux contributions inédites sur l’échelle mithriaque et sur le dieu au serpent des stèles danubiennes.
Born in the mists of history, Mithras, the deity of light, known for at least 3,500 years and still revered today, has appeared in different ages, religions and forms. This volume explores the sources of the god's history, with a focus on the Roman myths of Mithras…
Why did the Romans worship a Persian god? This book presents a new reading of the Mithraic iconography taking into account that the cult had a prophecy.
Certains mythes de l'Antiquité sont probablement basés sur des récits de « mort imminente » exactement les mêmes que les nôtres. Ainsi, s'expliqueraient le Paradis, l'Enfer, l'âme, le Dieu unique, nos divers «états d'âme»..…
