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The lion-headed statue of Hedderneheim is a reconstruction from fragments of two different sculptures.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
The 'Mithraic cave' in the Gradische/Gradišče massif near St. Egidio contained vessels decorated with snakes and the remains of chicken bones and other animals that were consumed during Mithraic ceremonies.
The relief of Mithras slaying the bull of Sisak includes the zodiac and multiple scenes from the myth of Mithras.
The exhibition The Mystery of Mithras opens at the Mariemont Museum in Belgium, home of Franz Cumont, the father of studies on the solar god.
A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
This small altar found in Rome depicts the god Sol with five rays around his head.
Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
At about a mile's distance from the village of Mit-Rahine near Memphis a Mithraeum has been discovered, which itself has not yet been described.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
Presentation on the Dionysian-themed frescoes of the Villa of the Mysteries by Peter Mark Adams on the occasion of the presentation of his book.
