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The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
Mithraeum discovered in 1887–1888, located about 85 m north of the castellum at Ober-Florstadt, built on a hillside with a central aisle, benches, and an altar podium.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
This bust of a lion-headed figure has been was part of a French private collection.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Marble inscription recording the dedication of a cult image to the unconquered Mithras by a certain pater Valerius Marinus from Rome.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.
Conglomerate statue of the birth of Mithras, found in a burnt layer, showing the god nude emerging from the rock with raised hands and a snake.
Marble votive altar with inscription to Mithras, featuring coiled, fan-like motifs above the text and associated with the statio Enensis.
This altar mentioning the god Arimanius was found in 1655 at Porta San Giovanni, on the Esquilino.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
Mithras, also called Mitra or Mithra depending on the historical period, region or language, is one of the oldest known Indo-European gods.
In the eighteenth year of Diocletian’s reign, Galerius Maximianus, persuaded by the sorcerer Theoteknos, consulted demonic oracles in a cave and was urged to initiate the persecution of the Christians.
The Mithraeum des Bolards was integrated into a therapeutic cultural complex related to healing waters.
A erotic military fantasy set against the dramatic background of Rome’s conquest of the British Isles.
Kerivel explore voie mystique des Alévis que, selon lui, trouve son origine dans la très ancienne religiosité des peuples iraniens et sur les structures et les rituels du culte de Mithra.
