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The Niasar Cave, غار نیاسر, was a temple probably devoted to Iranian Mithras that dates back to the early Partian era.
There is no solid evidences of the finding of a Mithraic temple in Duhok, Iraq.
The exploration of an old pazo, a manor house, near the Roman wall, in Lugo, led to the discovery of a Roman domus, which existed continuously from the beginnings of the Christian Era until the Late Empire.
This terra sigillata was found in 1926 in a grave on the Roman cemetery of St. Matthias, Trier. An eyelet indicates that it could have been hung on a wall.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The existence of a mithraeum in the "tana del lupo", a natural cave in the castle of Angera, has been assumed since the 19th century, following the discovery of two mithraic inscriptions in the town.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
