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Finds discovered near the crossing of the criptoporticus of the Mithraeum at Capua, including marble plate fragments, a tuff base, red lamps, and animal bones.
Miscellaneous finds from the middle of the Mithraeum of Capua, including a terracotta antefix with centaurs, basins, marble bases, lamps with a Sol head, and coins of M. Aurelius and Constantine.
Badly damaged fresco fragment showing a person in red attire in a kneeling position, from the initiation sequence of the Mithraeum of Capua.
Head in Phrygian cap with a sorrowful expression, used as a protome in the Amphitheatre of Capua and interpreted as a head of Mithras.
Inscription dedicated to Sol Invictus at Lambaesis, of uncertain Mithraic attribution.
Altar inscription dedicated to Sol Augustus by the decurion Valerius Carpus, from Timgad (ancient Thamugadi).
Great royal inscription of Antiochus I of Commagene carved on the thrones at Nemrud Dağı, invoking Apollo-Mithras-Helios among the guardian deities of the kingdom, 69–34 B.C.
Assemblage of lamps, keys, torches, an iron knife, pottery, glass fragments, and five coins from Mithraeum III at Heddernheim, ancient Nida
Damaged red sandstone altar from Mithraeum II at Heddernheim, ancient Nida, with the representation of an axe on its front face
Assemblage of lamps, serpent-vases and painted ritual pottery from the sanctuary complex.
Commagenean sanctuary preserving relief fragments of Mithras greeting royal figures at the hierothesion of Mithridates Kallinikos.
Inscription from Hamadan where the ’great king’ Artaxerxes mentions Ahuramazda, Anahita, and Mithra as guardians.
The lion relief from Nemrut Dag has the moon and several stars over his body.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
Red sandstone altar from Stockstadt, featuring a square cavity in the front that contained a fragment of crystal and a small lamp.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Employing all the available data & survivals of the historic Persio-Roman Mithraics. Embodying versions of Zoroastrian Scriptures; Combining the religions of all races & times...
