Your search Jan Theo Bakker gave 177 results.
For the health of this man, a small altar was dedicated to the god Invictus in the Emerita Augusta.
This altar dedicated to Sol Invictus Mithras by a certain Septimius Zosimus was found in the Basilica of San Martino ai Monti in Rome.
The site was destroyed in the 5th century but some elements, including the benches, can still been seen.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
Algis Uždavinys presents philosophy as a sacred practice of inner rebirth, rooted in ancient Egyptian and traditional wisdom rather than a purely rational discipline.
Memoir by Félix Lajard analysing a Mithraic bas-relief discovered in Vienne in 1830. Based on direct examination of the fragments and their context, the study corrects an earlier misidentification and documents a rare lion-headed figure within a probable mithraeum…
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
In Letter 107 to Laeta, Jerome combines a pastoral reflection on conversion with an account of the urban prefect Gracchus, who ordered the destruction of a Mithraic cave in Rome, listing the seven grades of initiation associated with the cult.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
Why did the Romans worship a Persian god? This book presents a new reading of the Mithraic iconography taking into account that the cult had a prophecy.
Der römische Gott Mithras aus der Perspektive der vergleichenden Religionsgeschichte.
