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Tauroctony from a gemme, printed on Le gemme antiche figurate di Leonardo Agostini.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
The Mithraic sword found in the Riegel Mithraeum may have been used as a prop during rituals.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
The relief of Sol was found during the construction of Piazza Dante in Rome in 1874.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
Of this great relief of Mithras slaying the bull only a few segments remain.
On the occasion of the exhibition, the Royal Museum of Mariemont invites five experts from Europe to emulate the research on the cult of Mithras.
Three European museums celebrate Mithras with a continental exhibition featuring more than 200 works of art from Roman times to the present day.
Film in German describing the Mithras relief from Dieburg as part of the design and staging of the Mithraeum in Museum Schloss Fechenbach, Dieburg.
Video report in Hungarian by the Aquincum Museum on the Mithraic discoveries in the region.
Video reportage about the city and the Mithraeum of Jajce.
The Mithraeum has found in a Roman building at the end of Attila Road, in Hévíz, Egregy
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
In the mithraic relief of Entrains, the god Sol is depicted riding his chariot together with Luna and a krater surrounded by a serpent.
This black marble of Mithras killing the Bull has belonged to the sculptor Carlo Albacini.
