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A dinner scene with Sabina from the Catacombe dei Santi Marcellino e Pietro, near Rome, may have been commissioned by a follower of Mithras.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
The red ceramic vessel from Lanuvium shows Mithra carrying the bull, followed by the dog, and the Tauroctony on the opposite side.
According to Pettazzoni Aion in general finds its iconographical origin in Egypt. Mithras must have been worshipped in Egypt in the third century B.C.
In the tauroctony of Jabal al-Druze in Syria, the snake appears to be licking the head of the bull's penis.
The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Of this great relief of Mithras slaying the bull only a few segments remain.
Three European museums celebrate Mithras with a continental exhibition featuring more than 200 works of art from Roman times to the present day.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’.
Film in German describing the Mithras relief from Dieburg as part of the design and staging of the Mithraeum in Museum Schloss Fechenbach, Dieburg.
The Mithraeum of Carminiello ai Mannesi was installed in two rooms of a 1st century BC domus.
Video reportage about the city and the Mithraeum of Jajce.
Jason Reza Jorjani, PhD, is a philosopher and author of Prometheus and Atlas, World State of Emergency, Lovers of Sophia, Novel Folklore: The Blind Owl of Sadegh Hedayat, and Iranian Leviathan: A Monumental History of Mithra's Abode.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
In the mithraic relief of Entrains, the god Sol is depicted riding his chariot together with Luna and a krater surrounded by a serpent.
Emperor Julian is supposed to have presided over a human sacrifice in the Mithraeum of Scarbantia, according to N. Massalsky.
The article reveals the context in which the first public appearance of Mitra happened to answer two questions: who were the first people to give prominence to this deity, and for what purpose they did so.
