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A rough-hewn statuette (H. 0.30), found at Emir Ghasi in Lycaonia, is said to be in a Museum at Oxford, where we have not been able to trace it.
This bronze arm, with stars and a swastika, was once thought to be part of a Mithras statuette but has since been dismissed as unrelated to the Mithras cult.
In the Mithraic bronze brooch found in Ostia, Cautes and Cautopates have been replaced by a nightingale and a cock.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
The Mithraeum of the Crypta Balbi was locted in the middle of a densely populated insula near the theatre of Cornelius Balbus.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
Mithras explores the history and practices of the ancient mystery religion Mithraism, looking at both literary and material evidence for the god Mithras and the reception and allure of his mysteries in the present.
Prefect of the First Cohort of Batavians, of the Ultinian voting-tribe.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
The Digital Atlas of Roman Sanctuaries in the Danubian Provinces (DAS) is the first comprehensive and open access representation of sacralised spaces in the area.
This ancient carnelian intaglio mounted in gold depicts Mithras slaying the bull surrounded by his companions Cautes and Cautopates.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Public lecture by David Ulansey on Mithraism, based on his book The Origins of the Mithraic Mysteries: Cosmology and Salvation in the Ancient World.
Our modern understanding of Mithraism, though, depends largely on a few short (and very problematic) literary mentions, mostly written by the cult’s Christian rivals.