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Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
Excerpted from Mushroom, Myth and Mithras, this passage elaborates on the Mithraic ritual and the degree of Nymphus.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
The colossal head has been identified as a solar god, Apollo-Mihr-Mithras-Helios-Hermes.
In this 4th-century Roman altar, the senator Rufius Caeionius Sabinus defines himself as Pater of the sacred rites of the unconquered Mithras, having undergone the taurobolium.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
This relief of Mithras Tauroctonos from Rome bears the inscription of three brothers, two of them lions.
One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.
Researcher and Writer Mithra (Av: mithra, skt: mitra, pahlavi: mihr, new persian: mehr) is the great god of the Aryans & iranian people.
Sol watches Mithras as he gazes Mithras gazes up to heaven while sharing the sacred meal.
This is a reconstruction of the 2nd level initiation, the Nymphus or male bride.
The main cultic relief of Mithras slaying the bull of Fertorakos was carved into the rock face.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
This syncretic amulet depicting Abraxas and the word MIΘPAZ was once displayed in the Cappello Museum of Venice.
This fragmentary relief shows Cautopates bordered by three of the six zodiacal signs with which He is associated: Capricorn, Sagittarius and Scorpio.
We propose to revisit a passage by the prolific author Marteen Vermaseren that highlights correspondences today forgotten between the Roman Mithras and its Eastern counterparts.
This monument was erected on the occasion of the elevation of a member to the Mithraic grade of Perses.
The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
The lion relief from Nemrut Dag has the moon and several stars over his body.
After Christianity was adopted, most pagan monuments were destroyed or abandoned. Garni, however, was preserved at the request of the sister of King Tiridates II and used as a summer residence for Armenian royalty.
