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The Mithra Tauroctonos from Syracuse, Sicily, is currently on display in the city's archaeological museum.
In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
The Mithraeum of Vulci is remarkable because of his high benches and the arches below them.
This relief was found under the Palazzo Montecitorio, in Rome, and bought by the Liebighaus at Frankfort.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
The underground cave which served as temple was cut into the conglomerate rock of the area, and a flight of eight steps of stone slabs led to it.
The head was part of a stucco relief of the Tauroctony found under the church of Santo Stefano Rotondo in Rome
Relief of Heracles/Hercules capturing the Golden Hind of Artemis.
Engraving with cosmological and symbolic mithraic elements.
Palæographia Britannica: or, discourses on antiquities that relate to the history of Britain. Number III.
The folio depicts three tauroctonies and a Mithras Triumphantes standing on a bull with the globe in one hand and the dagger in the other.
Glass paste imprint depicting the Tauroctony surrounded by symbolic figures.
Imprint on glass of a Tauroctony exposed at Winckelmann Museum.
According to Christopher A. Faraone, the axe-head from Argos belong to a category of thunderstones reused as amulets.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
The Mithraeum of Carminiello ai Mannesi was installed in two rooms of a 1st century BC domus.
Jason Reza Jorjani, PhD, is a philosopher and author of Prometheus and Atlas, World State of Emergency, Lovers of Sophia, Novel Folklore: The Blind Owl of Sadegh Hedayat, and Iranian Leviathan: A Monumental History of Mithra's Abode.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
The marble Tauroctony of Asciano, Siena, was donated by Franz Cumont to the Academia Belgica, Rome.
Possibly a Mithraic scene discovered in Mödling, Austria.
