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Carsulae was a Roman municipium in the region of Umbria, now preserved as an archaeological site, about 4 km north of the small town of San Gemini. Its foundation dates back to 220 BC with the construction of the Via Flaminia.
Epigraphic monuments reveal the presence of a Mithraeum in the ancient municiple of Carsulae, in Umbria.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
One of Roman Italy’s most important Mithraic sanctuaries, the Mithraeum at S. Maria Capua Vetere preserves a remarkable painted cycle of initiation scenes, offering rare visual evidence for the ritual life of Roman Mithaism.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
This plaque from Carsulae, in Umbria, refers to the creation of a leonteum erected by the lions at their own expense.
Mithras slaying the bull appears as the sign of Capricorn in a zodiacal sequence on the Pórtico del Cordero of the Abbey de Santo Domingo de Silos, Burgos, Spain.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
A brief inscription reading "Deo Invicto Mithrae", found in the ruins of the Castello di Tuenno near San Zeno at the entry to the Tovel valley in Trentino, alongside the decorated relief No. 723.
The marble statue of Cautes, found in the Mithraeum of Santa Prisca, was originally a Mercury.
The Mithraeum of Santa Prisca houses remarkable frescoes showing the initiates in procession.
Small altar found in 1843 at Sankt Johann in the Saan valley, Noricum, dedicated to Deo invicto Mithrae by Sextus Masclinus.
Altar from Vidy near Lausanne, ancient Leusonna, dedicated to Soli Genio Lunae sacrum by Publius Clodius Primus, curator of the vici Lousonnenses, sevir Augustalis, and curator of the Roman citizens of the Helvetian conventus; not earlier than AD 161–169…
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
Professor Wind's acclaimed work explores pagan mysticism and neoplatonic philosophy in Renaissance art, offering insightful analyses of masterpieces by Botticelli, Michelangelo, Raphael and Titian.
Este es un libro que pretende esbozar un panorama general de los documentos mitraicos repartidos a lo largo del Imperio romano.
