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The St Albans mithraic vase depicts fragments of three figures identified by Vermaseren as Hercules, Mercury and Mithras as an archer.
The mithraic denarius of St. Albans dates from the 2nd century.
The first and the third of the following essays written by Julius Evola are dedicated to the mysteries of Mithras, while the second essay concerns itself with the Roman Emperor, Julian.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
Memoir by Félix Lajard analysing a Mithraic bas-relief discovered in Vienne in 1830. Based on direct examination of the fragments and their context, the study corrects an earlier misidentification and documents a rare lion-headed figure within a probable mithraeum…
Les monuments mithriaques sont rares en Syrie. Les sculptures de Sidon, datées de 188, constituent l’essentiel de la documentation malgré des incertitudes sur leur origine exacte.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This sandstone altar was dedicated to the god Invictus by a certain Faustinus from Gimmeldingen.
This altar to Mithras is dedicated by a certain Gaius Iulius Castinus, legate prefect of the emperors.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
This slab dedicated to the invincible god, Serapis and Isis by Claudius Zenobius was found in 1967 in the walls of the city of Astorga, Spain.
The bronze bears the dedication of a restoration of a Mithraeum carried out in 183.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This marble altar was found ’in the street called di Branco’, behind the palace of the Cardinal of Bologna, in Rome.