Your search St Albans gave 2136 results.
Relief possibly depicting Mithras-Men holding a torch and a a bust of Luna on a crescent.
Fragment of a white statue depicting a naked god entwined by a serpent with its head on his chest, found in the River Tiber.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Marble relief, probably found in Rome during the construction of the Palazzo Primoli along the Via Zanardelli.
Partial marble statue of Mithras as a bullkiller found near Viale Latino, about 200 meters from Porta San Giovanni.
On the Aventine, between the Eastern side of S. Saba’s and the Via Salvator, there is a Roman building, which probably was used as a Mithraeum in the end of the 4th century.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
Fragment of a white marble statue of Mithras killing the bull from Rusicade, today Skikda, Algeria.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
