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The Mithraeum at Capua is in many respects one of the most important sanctuaries of the Iranian god who in the first centuries of our era conquered the Roman world.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Antaios, numéro dédié au culte de Mithra avec des articles, entrevues, poèmes et d'autres textes.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
The Niasar Cave, غار نیاسر, was a temple probably devoted to Iranian Mithras that dates back to the early Partian era.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
The dedicator of this monument is also known for having made a tauroctonic relief in Nesce.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
This relief of Mithras as bull slayer is surrounded by Cautes and Cautopates with their usual torch plus an oval object.
Horsley thought that, like some other inscriptions in the Naworth Collection, this altar also had come from Birdoswald.
An unusual feature of this very ancient relief is that Cautopates carries a cockerel upside down, while Cautes carries it right-side up.
The Mithraeum of Spoleto was found in 1878 by the professor Fabio Gori on behalf of Marquis Filippo Marignoli, owner of the land.
The dedicant of this altar to the god Arimanius was probably a slave who held the grade of Leo.
This terracotta vase features prolific decoration, including Mithras Tauroctonos, Fortuna, Cautes, a dog and Pan playing a syrinx.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
The Mithraeum of Carminiello ai Mannesi was installed in two rooms of a 1st century BC domus.
