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This collective volume explores the ways ancient peoples interacted with divine powers through prayer, magic, and the interpretation of the stars. Drawing on evidence from Mesopotamia to Late Antiquity, it situates these practices within broader religious and cosmological systems…
Born in the mists of history, Mithras, the deity of light, known for at least 3,500 years and still revered today, has appeared in different ages, religions and forms. This volume explores the sources of the god's history, with a focus on the Roman myths of Mithras…
Often neglected or considered too transgressive, the Priapeia, with its blend of Roman and Hellenistic influences, offers a complex view of ancient customs, especially homosexuality, combining literary tradition with sociological insight.
The Mithraeum under and behind S. Prisca on the Aventine is without doubt the most important sanctuary of the Persian god in Rome.
George Ryley Scott explores the significant role that male sexual organs, practices, and rites have played in various traditions throughout history and into the present day.
Proceedings of the International Seminar on the 'Religio-Historical Character of Roman Mithraism, with Particular Reference to Roman and Ostian Sources'. Rome and Ostia 28-31 March 1978
The Mithraeum at Capua is in many respects one of the most important sanctuaries of the Iranian god who in the first centuries of our era conquered the Roman world.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Antaios, numéro dédié au culte de Mithra avec des articles, entrevues, poèmes et d'autres textes.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The name of this domus comes from the fact that some authors once associated one of its mosaics with the cult of Mithras, a connection that has since been dismissed.
The Niasar Cave, غار نیاسر, was a temple probably devoted to Iranian Mithras that dates back to the early Partian era.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
The dedicator of this monument is also known for having made a tauroctonic relief in Nesce.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
This relief of Mithras as bull slayer is surrounded by Cautes and Cautopates with their usual torch plus an oval object.
