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The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
Votive sculpture of Mithras sacrificing the bull from the Mithraeum of Tarquinia.
In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
The Housesteads Mithraeum is an underground temple, now burried, discovered in 1822 in a slope of the Chapel Hill, outside of the Roman Fort at the Hadrian's Wall.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
The lion-headed statue of Hedderneheim is a reconstruction from fragments of two different sculptures.
The relief of Mithras slaying the bull from Nida's Mithraeum III was found in two pieces in 1887, destroyed during an air raid on Frankfurt in 1944, and restored in 1986.
The first members of the Wiesloch Mithraeum may have been veterans from Ladenburg and Heidelberg.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
Szony's bronze plate shows Mithra slaying the bull and the seven planets with attributes at the bottom of the composition.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
The head was part of a stucco relief of the Tauroctony found under the church of Santo Stefano Rotondo in Rome
This sculpture of Mithras slaying the bull was bequeathed to the Republic of Venice in 1793 by Ambassador Girolamo Zulian.
Our modern understanding of Mithraism, though, depends largely on a few short (and very problematic) literary mentions, mostly written by the cult’s Christian rivals.
This black marble of Mithras killing the Bull has belonged to the sculptor Carlo Albacini.
Upper part of a marble relief (H. 0.12 Br. 0.13 D. 0.05), found in the Forum of Caesar.
Small marble base, found in one of the private houses along the Via Sacra nearly opposite to the Basilica of Constantine.
We only mention the bronzes from Angleur, which are now kept in the Museum at Liege and of which Cumont has proved in full details (MMM II 427ff No. 316 with fig.), that they must have belonged to the decoration of a Mithras-sanctuary.
