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Engraving with cosmological and symbolic mithraic elements.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
A.B. Candidate in Departments of History and Classics at Dartmouth College (Hanover, NH)
Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
In his first book, Fahim Ennouhi sheds light on the cult of Mithras in Roman Africa. A marginal and elitist phenomenon, confined to restricted circles and largely absent from local religious dynamics, yet revealing.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
This small magical jasper gem shows Sol in a quadrigra on the recto and Mithras as a bull slayer on the verso.
This intaglio portrays Mithra slaying the bull on one side, and a lion with a bee, around seven stars, and inscription, on the other.
This unusual representation of Mithras standing on a bull was kept in the Casino di Villa Altieri sul Monte Esquilino until the 19th century.
On the occasion of the discovery of a Mithraeum in Cabra, Spain, we talk to Jaime Alvar, a leading figure in the field of Mithraism. With him, we examine the testimonies known to date and the peculiarities of the cult of Mithras in Hispania.
Mithra et ses actualités - Journée d'études.
